Women's Wrestling Club

Technique

The first ten
moves

Most lists of wrestling moves are fifty names in no particular order. This is ten, in the order USA Wrestling's own curriculum teaches them, with what each one is for, the mistake that keeps it from working, and a free video of every single one on USA Wrestling's channel.

By Joe Spisak, Pennsylvania state champion and 4x NCAA qualifier at Virginia · Published September 3, 2026

There is a reason a new wrestler feels lost in the first week, and it is not fitness. It is that the room is speaking a language of about two hundred words, and nobody hands out the list. Worse, most of the lists you can find online are alphabetical, or they are fifty moves deep, or they mix a beginner's first takedown with something a world team member hits twice a year.

USA Wrestling solved this and then buried it. The national governing body publishes a Core Curriculum, in order, with a short video of every technique, free, on its own YouTube channel. This page is that order, with the reason each technique is on the list and the thing that usually goes wrong with it. Every video below is USA Wrestling's own.

Start with the stance, because everything else is built on it

USA Wrestling's 7 Basic Skills guide opens with five key positions and repeats them under every skill that follows: head up, back straight, hips in, knees off the mat, toe pressure. Two stances carry them.

  • Staggered. One foot forward, feet wide, legs bent and coiled, hands forward and elbows in, chest forward over the front knee, head up. This is the attacking stance, and it is the one most rooms teach first.
  • Square. A wide base, legs bent and hips dropped to create what the guide calls a power angle, hands forward and elbows in, head up, with the chest not as far over the knee as in the staggered stance.

The guide's own summary of why any of this matters: a strong stance is the foundation for successful takedowns. That is not a slogan. Each of the five key positions is there to keep your hips under you and your head where an opponent cannot get to it, and every technique below either protects that position or attacks somebody who has lost it.

The seven basic skills, which is the real curriculum

Before the move names, USA Wrestling teaches seven skills. Techniques are combinations of them. A coach who understands this stops teaching moves and starts teaching pieces, which is why the same seven show up in the practice plan on the drills page.

SkillWhat it means
PositionHead up, back straight, hips in, knees off the mat, toe pressure. USA Wrestling calls these the five key positions and returns to them under every other skill.
MotionCircling both ways, moving in and away, holding position while you move.
Level changeDropping the hips by bending the knees vertically, then changing level up and through the opponent at an angle.
PenetrationStepping through the legs, not to them, off an inside or outside step.
LiftingFinishing an attack by coming to your feet and driving through the opponent rather than falling with her.
Back stepTurning the hip in and under to throw, the base of the head and arm and the arm spin.
Back archArching to throw from a body lock, and the bridging strength that goes with it.

USA Wrestling posts the whole thing as a single video, just under an hour, with a printable study guide beside it. If you are a parent who has been asked to help in a room and you watch one thing before your first practice, watch that one. Seven Basic Skills of Wrestling, USA Wrestling.

The ten

In curriculum order, which is neutral position skills first, then offense from your feet, then defense, then bottom, then top. That order is deliberate: you cannot drill an escape until somebody has taken you down, and you cannot practice a turn until you can hold somebody down.

1. Stance

Feet under you, knees bent, elbows in, hands out, head up. USA Wrestling teaches two: staggered, with one foot forward and the chest over the front knee, and square, with a wide base and the hips dropped.

When it is used. Every second you are on your feet, and the position you return to after every failed attack.

The common mistake. Standing too tall and reaching. A wrestler who is upright has to change level before she can attack, which gives away the shot, and reaching with the hands puts the head down and the hips back.

Watch it: USA Wrestling, Folkstyle Level 1: Stance

2. Motion

Moving without giving up the stance. Circling both directions, adjusting laterally, and stepping in and away while the knees stay bent.

When it is used. Between every exchange. Motion is how you get the angle that makes an attack work.

The common mistake. Circling one way only. Almost every wrestler has a comfortable direction, and a good opponent finds it in the first period.

Watch it: USA Wrestling, Folkstyle Level 1: Motion

3. Level change and the penetration step

Dropping the hips by bending the knees in a vertical line, then stepping through the opponent rather than at her. USA Wrestling's guide is blunt about the sequence: a shot fails because of a bad level change, not usually because of a bad finish.

When it is used. In front of every leg attack on this list.

The common mistake. Bending at the waist instead of the knees. The head drops, the hips stay back, and the shot arrives with no power behind it.

Watch it: USA Wrestling, Folkstyle Level 1: Penetration Step

4. Double leg

Level change, penetration step between the feet, both arms around both legs, then drive through the hips and finish.

When it is used. The first real takedown most wrestlers learn, and in most rooms the one drilled more than any other.

The common mistake. Stopping on contact. A double that stalls on the knees becomes a scramble, and the wrestler who keeps her feet moving through the finish is the one who ends up on top.

Watch it: USA Wrestling, Folkstyle Level 1: Double Leg

5. Single leg

The same level change and penetration step, but you take one leg and keep it, then finish by running the pipe, sweeping the far leg, or coming up to your feet and driving.

When it is used. When the opponent's stance is staggered and one leg is out in front of the other, which is most of the time.

The common mistake. Holding the leg and standing still. A single leg with no finish is a strength contest, and the finish is the part that has to be drilled.

Watch it: USA Wrestling, Folkstyle Level 1: Single Leg

6. Snap and spin

Snapping the opponent's head and shoulders down with a hard pull, then spinning behind her before she can get her hips back.

When it is used. Against a wrestler who reaches, posts her hands, or carries her head low. It scores from the front without a leg attack.

The common mistake. Snapping with the arms only. The snap comes from stepping back and dropping your own level, so her weight goes forward onto a foot that is not there.

Watch it: USA Wrestling, Folkstyle Level 1: Snap and Spin

7. Sprawl and spin

The first line of defense. Hips down and back onto the attacker's shoulders, legs kicked away, then chest pressure and a spin to the back.

When it is used. Every time somebody shoots on you, which will be most of your first season.

The common mistake. Sprawling straight down instead of back and through. Hips that land on top of her but not past her leave the leg still available.

Watch it: USA Wrestling, Folkstyle Level 1: Sprawl and Spin

8. Stand-up

From the bottom of the referee's position, inside hand control, one foot up, then the other, and a hip heist to break the lock and face her.

When it is used. The most common way out of the bottom position in high school folkstyle, where getting away is worth a point on its own.

The common mistake. Standing before clearing the hands. Coming up inside a locked waist just puts you back down, and this is the single most common bottom error in a beginner room.

Watch it: USA Wrestling, Folkstyle Level 1: Stand Up

9. Half nelson

An arm in under the opponent's armpit and the hand on the back of her head, then pressure across and through to turn her onto her back.

When it is used. The first turn most wrestlers learn, and in most rooms the first one a beginner pins somebody with.

The common mistake. Pulling instead of driving. The half turns her when your chest and your legs move her across the mat, not when your arm tries to lever her over on its own.

Watch it: USA Wrestling, Folkstyle Level 1: Half Nelson

10. Cradle

Head and one knee locked together, then squeezed until she folds and rolls.

When it is used. Off a broken-down opponent whose knee has come up, off a scramble, and off a stalled single leg.

The common mistake. Locking without moving. A cradle you lock and then sit still inside gives her time to straighten the leg, and the turn is in the step, not the grip.

Watch it: USA Wrestling, Folkstyle Level 1: Cradle

Two more if you wrestle freestyle, and you will

The ten above are USA Wrestling's folkstyle list, which is what an American high school season is wrestled under. But girls' wrestling in the United States runs on two styles, not one. High school is folkstyle. College women's wrestling is not: the NCAA rule book for women states plainly that USA Wrestling rules have been combined with rules established by the National Collegiate Women's Wrestling executive committee, and the spring and summer season is freestyle too.

That changes what is worth drilling, and the difference lands entirely on the mat rather than on your feet. USA Wrestling's Olympic Styles curriculum puts two turns first:

If you want to see either done at the level they are worth points at, two American women who have medalled at the world championships have posted long breakdowns of the same two positions: Sarah Hildebrandt on the leg lace and Kayla Miracle on the gut wrench from a leg lace setup. USA Wrestling also keeps a Women's Core Curriculum playlist on its own channel.

Why the mat matters more in freestyle than in folkstyle

This is the part of the answer that is in the rule books rather than in anybody's opinion, so here it is with the numbers attached. Full detail, and the NFHS citations, are on the scoring page.

ActionHigh school folkstyleWomen's freestyle
Takedown3 points2 points (NCAA Art. 18, UWW Art. 38)
Escape1 pointNot scored
Turn from the matNear fall, worth 2, 3 or 42 points, every time (NCAA Rule 4.2 Art. 2)
Throw from the feet to the backTakedown plus near fall4 points, or 5 for a grand amplitude throw

Read the third row twice, because it is the whole difference. In folkstyle a turn has to hold her back exposed for a count before it is worth anything. In women's freestyle the NCAA rule book awards two points for any turn that begins in par terre and adds, in its own words, that danger does not need to occur. A gut wrench that rolls her through and keeps going scores two, then two again, then two again.

So a takedown is worth less in freestyle, and the turn after it is worth as much as the takedown was. That is why a folkstyle wrestler who is very good at riding somebody and never turning her can look dominant in January and lose in May, and it is the honest reason college coaches want to know whether a recruit can turn people.

The other rule that changes the shape of a match: freestyle has no escape point, and both the NCAA and United World Wrestling define exposure as the back passing 90 degrees toward the mat, with a specified body part in contact. Danger is a geometry test, not a referee's count. Under UWW Article 44 the bottom wrestler in par terre may stand up, counter, or work back to her feet, and the top wrestler cannot ask the referee to restart standing.

The names, when somebody uses one you do not know

Wrestling vocabulary is dense and unhelpfully regional, and half of it only makes sense once you have seen the position. A whizzer, a turk, a cheap tilt, a granby, par terre, near fall, criteria. Every term this site uses is defined on the glossary, along with the ones a parent hears from the corner and the ones a referee signals.

One naming note that trips people up early. The same technique has different names in different rooms, and none of them is wrong. A sweep single, a low single and a snatch single are three different attacks on one leg. A blast double and a double leg are the same shot finished two ways. When a coach uses a name you have not heard, ask which position it starts from, not what it is called.

Where to go next

If you want the leg attacks in detail, with the finish and the counter for each and what it scores in both rule books, that is the takedowns page. If you are the one running the room, or the parent who got asked to help because you were standing there, the practice plan is built from USA Wrestling's own template and names every drill with the video beside it.

Sources

Every technique order and every video link on this page comes from USA Wrestling's own published curriculum, read on 2026-09-03. Every video id was checked live the same day.

What we could not confirm

  • The common mistake line under each technique is the author's, from coaching and from competing. No governing body publishes a ranked list of beginner errors, and none of the documents cited here contains one. Read those lines as a coach's read, not as a finding.
  • Which techniques women's coaches favour. USA Wrestling sells a Teal coaching certification with a "Female Specific Technique" module, and their curriculum page says so, but the course is paid and we have not taken it. We do not know what is in that module, so this page does not tell you.
  • Whether any of these ten is scored more often than the others by girls or by women specifically. Nobody publishes technique frequency data broken out by sex at the high school level, so the section on what each rule book rewards is built from the rule books, not from match data.
  • USA Wrestling's Core Curriculum has levels beyond the two used here, and its paid streaming series is larger than the free videos linked on this page. This page covers what is free and public.

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